#DigitalTransformation

‘Now is the right time to do this’: Delivering wrestling’s first digital World Championships

By United World Wrestling Press

COSIER-VEVEY (August 30) --- Our decision to undergo a digital transformation at United World Wrestling (UWW) can be dated back to as early as 2014 – a year after the federation was reinstated into the Olympic Program. As is the nature of digitalization and the importance of getting the timing and product launch just right, we’ve now entered year one of a new digital era at UWW following the launch of our very own mobile app, organic video hub, and customer relationship management (CRM) tool, in time for the Wrestling World Championships (10th to 18th September). 

The vision to revolutionize the sport was first tabled by our president Nenad Lalovic, who, since taking up the presidency in May 2013, has advocated change to the makeup of international wrestling and how we look to engage new fans and stakeholders. By putting digital transformation at the heart of our modernization, we are in the midst of the biggest transition our sport will experience in modern times and will certainly enhance the offering we provide to our fanbase, to our athletes, and to our national federations.

Now is the right time to do this. Why? There are many industries that have already gone through this process and is something we are seeing more across the sports industry. This is not something that can wait another five years before we look to instigate change. By then, it might be too late. As the Olympic Movement attracts new audiences, we have to stay ahead and modernize with the industry, in order to set new goals, and not to shy away from doing things differently.

The pandemic shone a light on the challenges that we faced as an international federation and some of the changes we needed to make. For example, we implemented distance-learning and webinars that brought our community closer together during trying times. This at large is how we plan to continue – to provide digital solutions, not only as a digital transformation “check-box”, but to help our national federations grow and bring about positive change to the sport of wrestling.

The exciting thing about digitalization is that it offers infinite possibilities. We can certainly provide a broader offering for our audience, but for our sponsors, national federations, and the grassroots of our sport, too. There are many different tools that will allow us to move forward and offer new opportunities to stakeholders. Digital transformation expands our ability to adapt to new trends and to leverage customer data that will influence how we distribute content. 

UWW IS EXPANDING ITS DIGITAL FOOTPRINT

With the proliferation of D2C technologies, our fans have naturally spread across so many different platforms. In the past, we didn’t pay too much attention to what the individual consumer wanted. So, without a digital portfolio, we have been unable, until now, to stay connected with our growing fanbase. 

This observation has formed the basis for UWW’s  digital transformation and is already reaping rewards. Our investment strategy covers three key areas – mobile, video, and data capture – all of which are designed to bridge the relationship with our core and newcomer fans and the sport of wrestling. 

Without the means for a direct relationship with our audience, UWW has until recently been unable to engage fans retrospectively, nor have we been able to build their connection with our sport at a level of engagement we hope to achieve via our new mobile application and the video hub. By expanding our digital footprint, and taking ownership of customer data these platforms will collate, we can explore more easily our relationship with our audience via the CRM and tailor the D2C experience to the individual fan.

Before the launch of our latest products, in the past year, we have seen increased engagement from the followers of our sport. In the year leading to the 2022 World Championships, UWW social channels grew by 21 percent to more than 2.25 million followers, according to research carried out by Redtorch, including 78,500 new followers between April and June of this year. Going forward, by taking this direct-to-consumer (D2C) approach, we will be able to build audience engagement ahead of our flagship events, establish trust during the championships, and continue to build loyalty among our growing fan base.

The way we’re trying to operate today – not only as a service, but also as a video content provider – is to communicate directly with people, and extends to our partners, too. As well as serving fans who watch wrestling from their homes, our digital approach also enables us to provide more dynamic packages for sponsors, more content for broadcasters, and therefore richer, more entertaining, video content tailored for our audiences. 

This is UWW bringing that vision we laid out over the past decade to fruition. By improving the experience, we will provide a more consolidated, one-stop shop capable of delivering everything a passionate wrestling fan is going to be pleased with. Going forward, this will help us to engage new fans based on their interactions with our digital products and customize their experience from the moment they begin watching the sport and one that builds a rapport between UWW and its audience. This will serve us well for many years to come.

DIGITAL TRANSFORMATION REQUIRES EXPERT SUPPORT

Before we began our digital transformation, we set out a roadmap to ensure that our end-goal was clear. In year one, we’re focusing on our mobile app, video hub, and the CRM. But that’s just the beginning of the journey. By moving our operations to the cloud, it will allow us to scale our production without upsetting the quality for our subscribers. 

We want to attract larger audiences. Whereas, in the past, we haven’t been equipped to meet greater demand from the wrestling community, our digital transformation will unite our athletes, coaches, and stakeholders into an efficient, paperless ecosystem, whereby our national federations will be able to communicate ideas and solutions via a centralized home for wrestling. 

While exciting from the outside, I must be honest about our journey so far and the value we’ve drawn from external consultation. Digital transformation is certainly not something that organizations can take on alone. There needs to be resources in place and experts you can work with to set the right structure and roadmap in place to deliver on our transformation targets. 

In order to achieve our goals, we have been working alongside N3XT Sports since last year, and the team continues to provide the soundboard for building new ideas for digitalization and to identify the challenges and opportunities it will present us in the future. The entire working group at N3XT Sports – from the consultants, to the project manager to the designers and engineers – provide expert advice and know-how when it comes to understanding the long-term journey for digital transformation. 

From the moment we put ideas down in writing, through to the execution and delivery of our new digital portfolio, the entire working group has demonstrated the basis of change-management inside an international federation like ours. It’s important for a whole organization – and not only a handful of departments – to contribute to the project. In return, this helps align our vision as the global governing body with the realities of our regional partners, coaches, and athletes.

In doing so, we have learnt that digital transformation is a long-term commitment. Having taken the first and most important step on our journey, N3XT Sports and our strategists continue to envision how the decisions we make today will impact and open up new opportunities for the sport of wrestling in the future. This level of detail is vital if we want our digital transformation to be a success in the decades to come. We are very excited to be on this journey and look forward to inviting you to join us.

#JapanWrestling

Ono entered at 57kg, Susaki at 50kg for All-Japan Championships

By Ken Marantz

TOKYO (December 4) -- After winning both the U20 and senior world titles at freestyle 61kg within a two-month span in the autumn of 2024, Masanosuke ONO all but disappeared from the Japanese wrestling scene.

That culminated with his announcement in March this year that, having left Yamanashi Gakuin University, he had committed to wrestle at U.S. collegiate powerhouse Penn State. He has not been seen on the mats of Japan since.

Ono will compete once again in his home country, dropping down from 61kg to 57kg for the upcoming Emperor's Cup All-Japan Championships at Tokyo's Komazawa Gym, according to the entry list announced Thursday by the Japan Wrestling Federation.

The tournament, to be held December 18-21, will also serve as the domestic qualifier for next year's Asian Championships, and the first of two qualifiers for the Asian Games and World Championships in 2026.

Yui SUSAKI (JPN)Yui SUSAKI (JPN) will compete at 50kg at the Emperor's Cup. (Photo: United World Wrestling / Amirreza Aliasgari)

Among other notable recent absentees appearing on the entry list is Yui SUSAKI, the 2021 Tokyo Olympic champion at 50kg who had to settle for a bronze at the 2024 Paris Olympics. She will compete at 50kg, putting to bed speculation that she might move up to the 53kg division.

"This will be a tournament to start me anew on the road to the Los Angeles Olympics," Susaki said in an online press conference with the Japanese media, as reported by Wrestling-Spirits.jp.

"In order to reclaim the gold medal at the Los Angeles Olympics, as a challenger starting from scratch, I want to win in a Yui Susaki-esque way of wrestling."

The 21-year-old Ono had been a question mark with the tournament falling in the middle of the Penn State season. But the decision to redshirt Ono -- the system of allowing him to train with the team while withholding him from competition to maintain an extra year of eligibility -- opened the door for him to make the trip back to Japan.

Assuming he does not have trouble making weight, he should be the class of the 57kg field, with his toughest competition most likely coming from two-time Asian bronze medalist Rikuto ARAI.

One opponent he won't have to contend with is Paris Olympic champion Rei HIGUCHI, who decided to continue delaying his return to action. Also missing is defending champion Rin SAKAMOTO, who was injured at the World Championships. With Sakamoto also across the Pacific at Oklahoma State University, it prevents a rare clash of U.S.-based wrestlers.

Susaki only returned to action in September, and both of her forays were at 53kg. That, and the well-publicized move up to 57kg by Akari FUJINAMI, the 53kg champion in Paris, fueled conjecture that Susaki might also move up.

Susaki started at the National Sports Festival, where she competed at 53kg if for no other reason that it was one of only two women's weight classes in the competition. She lost a defensive-oriented 2-1 decision to 2024 world 55kg champion Moe KIYOOKA in the quarterfinals, marking her first loss to a Japanese opponent in six years.

"Losing at the National Sports Festival gave me the chance to look inside myself," Susaki said. "The result was really disappointing, but I'm glad I took part and was grateful for the opportunity."

Now 26, the four-time world champion is firmly determined to regain the Olympic gold that eluded her in Paris with a heart-breaking last-second loss to Vinesh PHOGAT (IND) in the opening round.

"I truly was shown just how difficult and challenging it was to win at the Paris Olympics. It also gave me a chance to reflect on the preparation process leading up to the competition and what was needed mentally for the Olympics. I will work hard to use that experience to make sure I win the gold medal at the Los Angeles Olympics."

Susaki's top challengers at the Emperor's Cup appear to be world U23 bronze medalist Umi ITO and Haruna MORIKAWA, the world U23 champion at 53kg.

Meanwhile the presence of Fujinami, who added the world U23 title in October to her burgeoning resume, has been immediately felt at 57kg. Despite being an Olympic weight class, the division drew just nine others who will look to end the 21-year-old superstar's 147-match winning streak.

Her most potentially dangerous opponent could be Asian champion Sara NATAMI. At the National Sports Festival, she was losing 8-1 at 62kg to world 59kg champion Sakura ONISHI when she countered a takedown attempt by slamming her to her back for a fall.

Sakura MOTOKI (JPN)Paris Olympic and 2025 world champion Sakura MOTOKI (JPN). (Photo: United World Wrestling / Amirreza Aliasgari) 

Golden trio at women's 62kg; returns of Paris champs Fumita, Kagami

As with any Japan competition that has world or Olympic berths at stake, a number of weight classes could see clashes between multiple wrestlers with global successes as they jockey for position in the run-up to the 2028 Los Angeles Olympics.

And in one case, there are three at once, while two other weight classes could have direct clashes of champions from this year's worlds in Zagreb, Croatia.

At women's 62kg, Paris and 2025 world gold medalist Sakura MOTOKI will renew her rivalry with two-time former world champion Nonoka OZAKI, while Onishi moves up from 59kg to join the mix and can't be overlooked.

At women’s 68kg, reigning world champion Ami ISHII could lock horns with Miwa MORIKAWA, the gold medalist at 65kg, while at freestyle 74kg, we could see a battle between Zagreb winner Kota TAKAHASHI and 70kg titlist Yoshinosuke AOYAGI.

Like Susaki, all of Japan's large group of Paris medalists took some time off to bask in the spotlight before gradually returning to the mat over the past two years.

Two of the remaining gold medalist holdouts -- Kenichiro FUMITA and Yuka KAGAMI -- will both take the mat for the first time since their Paris victories at the Emperor's Cup.

Fumita, who won an elusive gold medal in Paris at Greco 60kg after taking the silver at Tokyo 2021, is entered at 63kg, where he will aim for a fifth national title and first since 2022. Kagami is entered at her gold medal-winning weight of women's 76kg. Their own rustiness may be more of a factor then the opponents.

While away from competition, Fumita spent the ensuing time experimenting with different methods as he looks to expand his reportoire.

"I have some anxiety, but I'm also looking forward to it," Fumita told Wrestling-Spirits.jp. "I achieved my goal in Paris, and on top of that, I've been taking a good look at wrestling. it. It was a year and four months full of new experiences. This will be a battlefield to reveal my new wrestling. I want to show wrestling that is free and unrestrained."

Fumita said he observed the nerves shown by fellow Paris gold medalists Nao KUSAKA (Greco 77kg) and Kotaro KIYOOKA (freestyle 65kg) when they returned to mat ahead of him at the Meiji Cup All-Japan Invitational Championships last spring.

"Before their matches, both of them looked pale," Fumita said. "I want to focus on fighting without putting too much pressure on myself. For better or worse, I want to fight thinking of myself as a different person than I was in Paris."

Other intriguing weight classes include freestyle 65kg, where Kiyooka may have to contend with Asian champion Kaisei TANABE, Asian 61kg champion Takara SUDA and two-time world U20 champion Yuto NISHIUCHI.

Two gold medalists from Tokyo who took time off for marriage and childbirth are back, with Mayu SHIDOCHI (nee MUKAIDA) challenging Moe Kiyooka at women's 55kg and Yukako INAMURA (nee KAWAI) entered at 59kg.

In Greco, rising star Taizo YOSHIDA, a bronze medalist at both the U20 and senior worlds this year at 82kg, has moved up to 87kg, where he will challenge two-time defending champion So SAKABE.