#wrestlenursultan

Nur-Sultan Mats Ready for Action as Worlds Kick Off with Greco Competition

By Ken Marantz

NUR-SULTAN, Kazakhstan (September 13) --- The road to the Tokyo 2020 Olympics makes its first stop in Nur-Sultan over the next nine days, where the first Olympic berths will be allotted in the Kazakh capital to the nations of the top six finishers in each weight class. 

The first whistle will be blown Saturday at the gleaming Barys Arena, when the tournament starts with competition in Greco-Roman. Russia will look to exceed its showing from a year ago in Budapest, when it took home six of the 10 golds.

From there, Greco-Roman keeps the stage through Tuesday (Sept. 17), when it will share it with the women, who get started with qualification rounds in four weight classes. How many of the powerful Japanese women can clinch berths for the Olympics in their home country will be the main focus of interest.

The women will continue through the seventh day, Friday (Sept. 20), when the freestylers take to the mat in two weight classes, then close the tournament with four each over the final two days. The final day on Sunday could see the highly anticipated clash at 97kg between titans Abdulrashid SADULAEV (RUS) and Kyle Snyder (USA).  

The opening day Saturday will see action in the four non-Olympic weight classes (55kg, 63kg, 72kg, and 82kg) in Greco-Roman. While Olympic berths will not be stake and the weight classes lost some top wrestlers who moved to Olympic divisions, that doesn’t mean they will be any less competitive.

Eldaniz AZIZLI (AZE) is one of two returning world champions who kick off their day on Saturday morning. (Photo: Gabor Martin)

Eldaniz AZIZLI (AZE) and Stepan MARYANYAN (RUS) return to defend their world titles at 55kg and 63kg, respectively, while Maryanyan will be one of four European champions in action along with Vitali KABALOEV (RUS) at 55kg, Abuyazid MANTSIGOV (RUS) at 72kg and Rajbek BISULTANOV (DEN) at 82kg. 

Bilsutanov will have to contend with Budapest 2018 silver medalist Emrah KUS (TUR) and bronze medalists Viktor SASUNOVSKI (BLR) and Maksim MANUKYUAN (ARM). And that’s not to discount Asian champion Saeid ABDVALI (IRI).

Advali is one of four Asian gold medalists in action Saturday. The brother combination of Ilkhom and Islomjon BAKHROMOV (UZB) took the 55kg and 60kg, respectively, at Xi’an 2019, but Islomjon has moved up to 63kg, so the two will be competing on the same day this time. 

Stepan MARYANYAN (RUS) has remained unbeaten during his 2019 campaign after claiming world gold in a season ago. (Photo: Gabor Martin)

The 63kg field, led by Maryanyan, includes Asian champion Erbatu TUO (CHN) and bronze medalist JUNG Jinwoong (KOR). Also entered is Rio 2016 Olympic silver medalist Shinobu OTA (JPN), who moved up to 63kg when he failed to beat 2017 world champion Kenichiro FUMITA (JPN) for the place on Japan’s team at 60kg.  

At 72kg, Budapest champion Frank STABLER (GER) has moved down to 67kg, but runner-up Balint KORPASI (HUN) and bronze medalist Aik MNATSAKANIAN (HUN) look to be the top contenders along with Mantsigov and Asian silver medalist ZHANG Hujun (CHN). 

Tournament Schedule   
Saturday, September 14

11:00-16:00 Qualification Rounds GR 55-63-72-82kg  
18:00-19:30 Semifinals GR 55-63-72-82kg

Sunday, September 15
11:00-16:00 Qualification Rounds GR 67-87-97kg
11:00-16:00 Repechage GR 55-63-72-82kg
16:45-17:30 Opening Ceremony
18:00-18:45 Semifinals GR 67-87-97kg
19:00-22:00 Finals GR 55-63-72-82kg

Monday, September 16
11:00-16:00 Qualification Rounds GR 60-77-130kg
11:00-16:00 Repechage GR 67-87-97kg
17:00-17:45 Semifinals GR 60-77-130kg
18:00-20:30 Finals GR 67-87-97kg

Tuesday, September 17
11:00-15:00 Qualification Rounds WW 50-53-55-72kg 
11:00-15:00 Repechage GR 60-77-130kg      
16:45-17:45 Semifinals WW 50-53-55-72kg
18:00-20:30 Finals GR 60-77-130kg

Wednesday, September 18
11:00-15:00 Qualification Rounds WW 57-59-65-76kg
11:00-15:00 Repechage WW 50-53-55-72kg
16:45-17:45 Semifinals WW 57-59-65-76kg
18:00-21:00 Finals WW 50-53-55-72kg

Thursday, September 19
11:00-16:00 Qualification Rounds WW 62-68; FS 57-65
11:00-16:00 Repechage WW 57-59-65-76kg
16:45-17:45 Semifinals WW 62-68; FS 57-65
18:00-21:00 Finals WW 57-59-65-76kg

Friday, September 20
11:00-16:00 Qualification Rounds FS 70-74-92-125kg
11:00-16:00 Repechage WW 62-68; FS 57-65
16:45-17:45 Semifinals FS 70-74-92-125kg
18:00-21:00 Finals WW 62-68; FS 57-65

Saturday, September 21
11:00-16:00 Qualification Rounds FS 61-79-86-97kg 
11:00-16:00 Repechage FS 70-74-92-125kg
16:45-17:45 Semifinals FS 61-79-86-97kg
18:00-21:00 Finals FS 70-74-92-125kg

Sunday, September 22
15:30-17:30 Repechage FS 61-79-86-97kg
18:00-21:00 Finals FS 61-79-86-97kg

#KoreaWrestling

Special referee at national meet part of Japanese efforts to get more women to become officials

By Ikuo Higuchi

(Editor's Note: The following appeared on the Japan Wrestling Federation website on Jan. 1. It has been translated and published by permission.)

With its connection to the Paris Olympics, this year's Emperor's Cup All-Japan Championships drew a record field of 470 competitors. But history was also made regarding the third person on the mat. For the first time ever, a foreign referee was on the whistle, one specifically invited with the hope of producing long-term effects beyond the outcome of matches.

The Japan federation brought in Ji-Woo LEE, one of six Korean women holding international licenses, as part of its efforts to get more women interested in becoming referees. Lee is a holder of the UWW's highest Category IS License, which qualifies her to officiate at the Olympics and World Championships.

While Japan remains the dominant country in women’s wrestling, in the case of women referees, it can be regarded as “undeveloped.” Of Japan’s 19 international referees, only two are women, putting Japan far behind United World Wrestling’s objective of having equal numbers from both genders.

JPN1Ji-Woo Lee holds the highest Category IS License. (photo by Japan Wrestling Federation)

"It was a big surprise, and wonderful," Lee said of being asked to officiate at the All-Japan Championships, which was held Dec. 21-24 in Tokyo and was serving as a qualifier for the Asian Olympic qualifying tournament in April. "It is really a joyful [moment] in my life. A big honor, also."

Lee said she was impressed by the large and enthusiastic crowd that packed into Yoyogi No. 2 Gym, saying it reminded her of the atmosphere at the big venues that stage the World Championships and European Championships.

JPN4Lee faces Saori YOSHIDA at the 2004 Asian Championships in Tokyo. (photo by Takeo Yabuki / Japan Wrestling Federation)

Lee herself was no stranger to Japan. Long before she officiated at the 2021 Tokyo Olympics, she came on numerous trips during her career as a wrestler to train at the well-known Oka Wrestling Dojo in the mountains of Niigata Prefecture. Wrestling at 55kg and competing under the name LEE Na-Lae, she faced three-time Olympic champion Saori YOSHIDA three times, in the final at the 2002 Asian Games, and at both the 2004 and 2005 Asian Championships. Lee was the lone Korean woman to appear at the 2004 Athens Olympics.

While she knows a little Japanese, she basically operates in her native Korean or English. As for communicating on the mat at the All-Japan, she said, "I used very simple words. 'Fingers.' 'Open.' Maybe after a foul, I say, 'Next time caution.' Or 'One more time, the match is finished.'" Having Olympic experience both as a wrestler and a referee has given her the confidence to dish out warnings as she sees fit and remain in control on the mat.

JPN2Lee made her Olympic refereeing debut at the Tokyo Games in 2021. (Photo by Japan Wrestling Federation)

Handling the big matches

After retiring as a wrestler, Lee went to the 2012 London Olympics as a national team coach, then changed course and embarked on a new path to become a referee, while also earning a doctorate and becoming a professor at Yong-In University. She obtained the Category IS License just before the 2019 World Championships, and was among the officiating crew at the 2021 Tokyo Olympics.

It was Isao OKIYAMA, head of the Japan Federation's refereeing commission, who suggested inviting Lee to the All-Japan. Okiyama's thinking took a two-pronged approach. In the big matches with so much at stake,  the federation would get a neutral official completely free of any suspicions -- justified or not -- about college affiliations and other links that are so strong in Japanese wrestling.

And, by having a female Category IS official at Japan's highest-level tournament, it would bring national attention on the existence of female referees and further motivate more women to want to become one.

JPN5Lee was on the whistle when Nonoka OZAKI defeated Ami ISHII in a vital 68kg match with Olympic implications. (photo by Takeo Yabuki / Japan Wrestling Federation)

At this year's All-Japan, three matches in particular stood out, each with global implications: 1) the first-round match at women's 68kg in which Nonoka OZAKI defeated Ami ISHII, who had needed to win the title to fill the Paris Olympic berth she secured for Japan at the World Championships; 2) the freestyle 65kg semifinal between Tokyo Olympic champion Takuto OTOGURO and collegian Kotaro KIYOOKA, which Otoguro lost to end his chances of a repeat in Paris; and 3) the 68kg final between Ozaki and Miwa MORIKAWA, which Ozaki won to advance to a future playoff with Ishii for the Paris ticket.

Lee was the mat official for all three. Asked if she was nervous, she replied, "I'm never nervous. I know this championships is very important for Japan, also in the world because the champions [can go to the Olympic qualifier]. More than being nervous, I was concerned with doing my best to make fair and clear decisions."

She admits she did feel jittery at her first major tournament at the 2019 World Championships in Nur-Sultan (now Astana). She particularly recalled a bronze-medal match between Iranian and Azerbaijan wrestlers where it seemed the entire crowd turned against her. "I was very nervous. One time [I made a] mistake, just a warning, and everyone goes, 'Boooooo,'"she recalled with a laugh.

JPN4Lee poses with the three Japanese female referees at the All-Japan Championships, from right, Mariko SHIMIZU, Airi FURUSATO and Honoka SAITO. (photo courtesy of Airi FURUSATO)

Getting more women involved

At the All-Japan, there were only three other women referees, Airi FURUSATO, Mariko SHIMIZU and Honoka SAITO, putting them well in the minority. Only Furusato and Haruka WATANABE, currently on maternity leave, hold international licenses, and neither is at the Category IS level.

Of the 393 referees registered domestically in Japan, just 19 are women, or 4.8%. The percentage is even lower for those with a Class A license, which is required for officiating at the All-Japan — just seven out of 197, or 3.6%.

In its Global Gender Gap Report released in June last year by the World Economic Forum, Japan ranked 125th out of 146 countries in terms of achieving gender equality. While Japan is on top in women's wrestling, when it comes to women referees, it unfortunately aligns with the gender gap ranking.

JPN6World champion Akari FUJINAMI tries her hand as a referee at a men's collegiate event last May. ((photo by Ikuo Higuchi / Japan Wrestling Federation)

Among recent moves to cultivate women referees was having world champions Akari FUJINAMI and Yuka KAGAMI serve as referees at the men's East Japan Collegiate League last May. Officials hope that seeing the female stars filling such roles will appeal to more women to consider becoming referees.

Lee said she hopes to see more Japanese women entering the referee ranks and believes that with the right training and support, they can become as much as factor as their wrestling sisters. In fact, it was Japan's Osamu SAITO, a former member of the UWW Refereeing Commission, who encouraged and mentored her and to whom she credits her advancement.

"I am waiting for the day when I can work with Japanese women referees," Lee said. "We are professionals with skills. I support the development of women referees."

--Translation and editing by Ken Marantz